Working under Tumblehead, we were tasked with creating animation and graphics of the experiences shared by the survivors .
Projections were used to recreate the environments, using old archived photos from 1990 of the crime scenes after the fire.
In a short amount of time, our small team had to produce 80 animated shots, and 60 Blueprint shots. I was in charge of developing a pipeline to make the process more efficient, while remotely compositing all the shots by myself in Nuke.
A custom Python tool was made to manage the shots and batch process various tasks such as compositing setup, rendering, dailies and deliveries.
